Local Voices

Queenstown, a Home with an Expiry Date

Queenstown, a Home with an Expiry Date

What happens when a temporary place becomes home, but your right to stay still has an end date?

What happens when a temporary place becomes home, but your right to stay still has an end date?

Santiago Bonhomme

By Santiago Bonhomme

Writer & Journalist

Santiago Bonhomme

Queenstown Airport departure scene with The Remarkables

There are people in Queenstown who know exactly when they have to leave.

Not roughly. Not “someday.”

They have a date.

Their working holiday ended. Their work visa reached as far as it could go. The sponsor they were hoping for never showed up. Or they made that small migratory miscalculation of falling in love with someone who couldn’t offer them a partner visa either.

The reasons change. The outcome is the same.

They have to leave, and they don’t want to.

I’ve always found it strange, that administrative precision applied to something as imprecise as belonging to a place.

Queenstown is used to goodbyes. Maybe too used to them.

Here we’ve all met people who arrived saying they were staying for six months. Some of them really did leave six months later. Others found another job, another visa, a partner, one more winter.

Until one day the possibilities run out, a date appears, and a life that until then seemed perfectly normal slowly starts turning into luggage.

The table you bought because you were tired of eating off your knees shows up on Marketplace.

So does the bike.

A friend takes the plant.

The winter jacket probably comes with you, even though you’re not sure when you’ll need it again.

And life, suddenly, has a price tag.

Fifty dollars for the table, twenty for the lamp, one hundred and fifty for the bike.

There’s something brutally efficient about taking a life apart like that.

The hard part is that not everything can be sold.

What do we do with the places we learned to love when we’re not the ones who chose to leave them?

I’m not talking about The Remarkables or the lake — those are easy to love.

I’m thinking of much smaller places.

A table at a bar. A corner. The car park where you used to wait for someone. The route you walked home after work. The tree you could see from the window of a rented room.

Maybe a home starts exactly there, in the places where we quietly pile up memories that mean absolutely nothing to anyone else.

And then comes the moment you buy the ticket.

The screen probably says Santiago, Buenos Aires, São Paulo, Manila, London, or whatever other city your home once was.

Your family will say you’re coming back. So will your friends back there.

—When are you coming back?

It’s a perfectly reasonable question.

What’s strange is that you’re no longer sure “back” is the right word.

Because during the time you lived in Queenstown, something happened that no visa keeps track of.

You made friends. You learned a routine. You found your places. You fell in love when it wasn’t convenient. You bought things that don’t fit in a suitcase. You even planted something that will take longer to grow than the time they let you stay.

And at some point you made the reckless mistake of calling home a place that never promised you could stay.

There isn’t necessarily an injustice in that. A temporary visa says exactly that. Temporary.

Countries have borders, laws, and conditions for staying. The problem is that people are pretty bad at being temporary.

Maybe that’s one of the less visible contradictions of Queenstown.

A town used to welcoming people who are just passing through, and saying goodbye to some who, at some point, stopped feeling like they were just passing through.

People who built a life here without ever earning the right to keep it.

Closing a door for the last time. Handing back the keys. Carrying a suitcase and heading to the airport.

Everyone will say you’re going home.

But as the plane lifts off over the mountains, there’s something you know that’s much harder to explain.

You’re not going back.

You’re leaving.

Santiago Bonhomme

ABOUT THE AUTHOR

Writer & Journalist

Santiago Bonhomme is a Chilean writer and journalist based in Queenstown for several years. He has contributed to Lakes Weekly Bulletin and Otago Daily Times, and his literary work has received awards in both Chile and New Zealand.

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